Sunday, September 8, 2019
Movie 1408 Essay Example | Topics and Well Written Essays - 750 words
Movie 1408 - Essay Example In his famous book on theory of Montage, ââ¬Å"The Film Senseâ⬠, he elaborates this process of words turning into images through representations, quoting the poems of John Milton and Mayakovsky. ââ¬Å" Mayakovsky doesnââ¬â¢t work in lines , he works in shotsâ⬠( Word and Image --- The Film Sense ââ¬â sergei Eisenstein ââ¬âpage 62-63 } When a well read story ( or poem ) comes into light as visual images on the big screen as a film, it tends to disappoint the above said readers of the story. For the images on the screen will never match with the images, the above said reader carries with in him/ her self, of the story. Stephan Kingââ¬â¢s style of writing is such that, he draws out the horror slowly. He never allows the reader to plunge head long into the horror. This style of writing, gives more space for the readerââ¬â¢s imagination and thus for the ââ¬Å"Cinematic Recreationâ⬠within himself. Thus Stephan King remains a tough writer, for any film ma ker. More over, short story is often considered to be the ideal literary form for depicting horror. Many writers consider it difficult to maintain the feeling of horror in the reader, over hundreds or more pages, that a novel as a literary form demands. The issue gets multiplied when one tries to make a film out of a horror short story. One faces the risk of ending up with a movie with lots of good patches of horror, but padded up between with lots of dead spaces. It is the absence of such dead spaces that makes Film makers like Alfred Hitchcock and Claude Chabrol, the masters of horror films. One technique used by the Swedish director Mikael Hafstrom, ( who made the film ââ¬Å"1408â⬠,based on Stephan Kingââ¬â¢s short story by the same name ,in 2007 ) to over come the above said problems of cinematic recreation of the images of the short story, is to confine the space of action of the film to a single hotel room. This gives scope for concentration of the
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